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“poems such as "The Man Out of Time", "A Climax of Dirt", and "The Boy from the Theatre, the Excrement of Dogs" are where Schultz really hits her stride: she beautifully parades a fastidious, lyrical darkness that both subsumes and distances the reader, placing him or her into a linguistic space – often instigated by fascinating formalistic experimentations ("A Group of Empty Trees, Regularly Spaced") – that contains truly unique, enthralling cadences. . . . Schultz is a more than worthwhile up and coming poet that has the ability to shock and stun in a very discreet manner.”
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