Ben is a performance artist about to enter his forties. His father and mother are both dead, and his brother, Jake, is a lousy source of information. So when he begins to struggle with a particularly nagging memory, he doesn’t know where to turn. The memory: the assassination — by his mother — of a prominent neo–Nazi.

In a non-chronological montage of memories, Ben travels back and forth through the events of his life, some of which seemed trivial at the time but are important now: his childhood summers at a cottage in central Ontario, his teenage years in a Toronto suburb, his disastrous university career, the calamity that precipitated his brother’s institutionalization.

Stuart Ross’s first novel is a blend of suburban realism and out–of–body surrealism.